The popular  musician, whose real name is Thomas Adjei Wireko, made it into Section B of the Music and Creative Arts paper of the examination.

In question 4(c) of the paper, students were asked to identify two important social issues addressed in King Paluta’s hit song “Aseda.”

The inclusion of King Paluta in a national examination appears to signal a growing recognition of his works beyond entertainment but rather delve into social commentary.

It also affirms how relevant his music is in the academic and cultural landscape of Ghana.

This appears to be a personal achievement for King Paluta but also a sign that contemporary Ghanaian musicians are shaping minds, influencing narratives, and making lasting contributions to society.

After the paper surfaced online, his fans have taken to social media to celebrate him and praise him for using his craft to inspire and educate.

Ghanaian recording and performing artist Kobby Brown is gearing up to release his latest single, “Some Wh3,” a powerful collaboration with renowned highlife act Ahenfo. Produced by the acclaimed Kin Dee, this track fuses Afrobeat, Highlife, and Amapiano into a compelling sonic experience.

“Some Wh3” dives deep into the emotional aftermath of heartbreak, pairing introspective lyrics with an infectious rhythm that’s sure to resonate with both the streets and the soul. Ahenfo’s rich storytelling and signature highlife flair add an authentic layer to the track, making it a dynamic blend of tradition and innovation.

Fans and insiders alike are buzzing with anticipation, as this release marks another milestone in Kobby Brown’s evolution as one of Ghana’s most versatile and forward-thinking artists. With his genre-bending style and bold artistic choices, “Some Wh3” is not just a song—it’s a statement.

Stay tuned as Kobby Brown and Ahenfo get ready to shake up the airwaves with a sound that’s fresh, emotional, and undeniably Ghanaian.

Porsha Williams’ estranged husband, Simon Guobadia, has been released from ICE custody and deported back to his home country, Nigeria, after spending months at a detention centre, according to Us Weekly.

According to the website, Guobadia’s friend and business partner, Tai Savet, reports that the Nigeria-born businessman was sent on a flight back home a couple of days ago. 

The U.S. Department of Homeland Security website no longer lists Guobadia as being in their system.

Savet said Guobadia, 61, was in “good spirits” after a tough experience at the detention centre, which was the first time he had ever been behind bars.

Back in February, Williams’ ex was taken to the Stewart Detention Center in Lumpkin, Georgia, about two hours outside of Atlanta, as part of the government’s mass deportation efforts.

Guobadia moved to the United States in 1982 but reportedly overstayed his visa. He left the country but came back and overstayed his visa a second time, according to a local report.

WSB-TV reported Guobadia was deported in 1992 but was granted permanent residency status the same year when he used an “undisclosed identity.”

He attempted to gain citizenship over the years but was shut down each time.

Williams, 43, filed for divorce from Guobadia in February 2024, following 15 months of marriage.

The exes went back and forth for months over Williams’ request for exclusive use of their marital home.

The judge sided with Williams and ordered that she could live in the home until a final decision is reached in the divorce.

The exes are set to face off at a divorce hearing later this week, with Guobadia being allowed to appear via video due to his deportation.

The reality star and her ex are fighting over the prenuptial agreement they signed before they walked down the aisle on November 25, 2022.

The hearing has been postponed several times, partly due to Guobadia’s detention.

After he was taken into custody, Guobadia asked for the hearing to be postponed to allow him time to attend.

His lawyer argued, “The motion to enforce the prenuptial agreement is a substantive motion that requires findings of fact by this court. The outcome of the motion will also have a substantial effect on how the remainder of the divorce case proceeds, as it may be dispositive of some of the issues and result in litigation on others.”

The judge granted Guobadia’s motion and rescheduled the hearing for June 11.

The order instructed ICE agents to transport Guobadia to the hearing if he was not released.

For her part, Williams filed a motion requesting permission to attend the hearing via video.

The RHOA star’s lawyer told the court, “[Williams] is a well-known reality television personality, a career in which last-minute travel and unexpected opportunities frequently arise.” 

He continued, “[Williams] shows that this employment opportunity would help [Williams] offset the numerous financial obligations that [Guobadia] has failed to maintain under the Temporary Order, as well as to offset the significant legal expenses [Williams] has already incurred in pursuing enforcement of the parties’ Prenuptial Agreement and defending herself against [Guobadia] as it relates to the instant divorce action.”

“[Williams] shows that her request for virtual appearance is made in good faith and reflects a balancing of her professional obligations and the serious nature of these proceedings, not a desire to delay or further complicate the instant litigation,” the reality star’s attorney argued.

The judge has yet to rule.

Hosted by Kevin Hart, this year’s show honoured Kendrick Lamar’s reign, Blue Ivy’s rise, and the artists, athletes, and actors defining Black culture now.

Hosted by Kevin Hart, the show brought together the brightest stars from music, film, TV, and sports to celebrate the talent shaping and pushing culture forward. From iconic moments to major milestones, the night belonged to both legends and new-school favourites.

Kendrick Lamar was the evening’s undeniable standout, taking home four major awards, including Album of the Year for GNX, Best Male Hip Hop Artist, Video of the Year for the viral smash “Not Like Us”, and Best Collaboration alongside SZA for their soul-shaking track “Luther”.

Below is the list of winners.

FULL LIST OF WINNERS – BET AWARDS 2025

Best Female R&B/Pop Artist – SZA

Best Male R&B/Pop Artist – Chris Brown

Best Group – Future & Metro Boomin

Best Collaboration – “Luther” – Kendrick Lamar & SZA

Best Male Hip Hop Artist – Kendrick Lamar

Best Female Hip Hop Artist – Doechii

Video of the Year – “Not Like Us” – Kendrick Lamar

Video Director of the Year – Dave Free & Kendrick Lamar

Best New Artist – Leon Thomas

Album of the Year – GNX – Kendrick Lamar

Dr. Bobby Jones Best Gospel/Inspirational Award – “Rain Down on Me” – GloRilla feat. Kirk Franklin, Maverick City Music

Best Actress – Cynthia Erivo

Best Actor – Denzel Washington

Best Movie – Luther: Never Too Much

YoungStars Award – Blue Ivy Carter

Sportswoman of the Year – Angel Reese (Basketball)

Sportsman of the Year – Jalen Hurts (Football)

BET Her Award – “Heart of a Woman” – Summer Walker

Best New International Act – TxCT (South Africa), Ajuliacosta (Brazil)

Best International Act – Ayra Starr

Viewer’s Choice Award – “Residuals” — Chris Brown

In the ever-evolving soundscape of Afrobeats, DeEye is emerging as one of its most soulful and visionary new voices. Hailing from the vibrant and often misunderstood streets of Tema Community 1, DeEye channels lived experience, spiritual depth, and raw musicality into every note.

“DeEye means All-Seeing Wisdom — a name given to me by God through the whispering of the Holy Spirit,” the artist shares. “I don’t just sing. I reveal, I reflect, I awaken.”

Born Sadat, DeEye describes his sound as a fusion of Afrobeat, soul, and conscious storytelling — music that speaks to the heart and mind. Influenced by legends like Fela Kuti, Bob Marley, and Kendrick Lamar, he uses rhythm and lyricism to explore identity, struggle, spirituality, and joy.

“My songwriting begins with a feeling — sometimes a beat, sometimes silence. I don’t chase hits. I chase honesty,” he explains. “I write like I’m speaking directly to someone who needs to hear the truth.”

Growing up in Tema, a place known both for its challenges and cultural richness, heavily shaped DeEye’s artistic path. “That environment made me,” he says. “It showed me both the dark and the divine. I reflect both in my art.”

DeEye’s music is intentionally Afrocentric yet globally resonant. He blends traditional rhythms, languages, and proverbs with modern sonic elements — not as a gimmick, but as a cultural mission.

“African culture is the heartbeat of my sound,” he says. “I’m not here to copy trends — I’m here to build legacies. I want the world to see our truth and feel our soul.”

With each release, he invites listeners on a journey — whether it’s through themes of love, survival, spiritual awakening, or personal growth.

His latest project, still under wraps, is described as “a mirror of quiet battles and bold beauty,” drawing from real-life conversations and internal reflections. “It’s not just music,” he says, “it’s medicine.”

Offstage, DeEye is introspective and grounded. “Most people don’t know I’m actually quiet. I observe more than I speak. Music is where I shout,” he laughs. A lover of storytelling, he also dreams of exploring filmmaking one day.

His perfect studio vibe? “Low lights, incense, real people, no pressure — just pure energy. That’s when the magic happens.”

Looking ahead, DeEye envisions international collaborations with purpose-driven artists like Burna Boy or Kendrick Lamar, and dreams of performing on stages from Accra to New York.

“In five years, I see myself as a global voice that still feels local. Rooted, but reaching.”

When people listen to DeEye’ music, he wants them to feel seen, heard, and healed.

“If someone tells me a song helped them feel understood or gave them strength, that means more to me than numbers. My music is a mirror — for the soul, for the culture, for the journey.”

With his blend of authenticity, spirituality, and sonic finesse, DeEye isn’t just riding the Afrobeats wave — he’s helping shape its future.

Follow:@DeEye/DeEyeGh on all social media platforms and streamimg sites.

Ghanaian gospel powerhouse Charlotte Addo, widely known by her stage name Nhyira Hemaa, has earned four major nominations at the 2025 Modern Gospel Awards, reaffirming her growing impact in the global gospel music scene.

She has been nominated in the following prestigious categories:

Best Female Artiste of the Year (Code: MG1)

International Artiste of the Year (Code: MG55)

UK-Based Artiste of the Year (Code: MG78)

Gospel Video Of The Year (Code:MG73)

These nominations celebrate a significant chapter in Nhyira Hemaa’s blossoming music career. Known for her hit single “Too Much,” she continues to make waves across Europe with her inspiring lyrics, passionate vocals, and uplifting performances.

Her presence in the gospel industry has made her a standout talent on the UK scene and beyond—capturing hearts and transforming lives through her music ministry.

Let’s help Nhyira Hemaa bring home these awards!
Visit: www.kampaignlive.com
Or dial: *365*300# and enter the voting codes:

MG1 for Best Female Artiste

MG55 for International Artiste

MG78 for UK-Based Artiste

MG73 for Gospel Video Of The Year 

Your vote can make the difference.

Written by Ekow Smith 

Rising Ghanaian music sensation Blakid has been nominated for the prestigious Emerging Artiste of the Year award at the 6th edition of the Ghana Music Awards USA (GMA-USA) . The awards ceremony is scheduled to take place on August 16, 2025.

Blakid, born Emmanuel Kabu Ocansey, has been making significant strides in the music industry with his unique fusion of raw lyricism and melodic flows. His adept use of the Ga dialect in his music has garnered him a growing fanbase and critical acclaim.

The Emerging Artiste of the Year category at GMA-USA recognizes new talents who have shown exceptional promise and impact within the Ghanaian music scene. Blakid’s nomination places him among other notable up-and-coming artists, highlighting his contributions and potential in the industry.

The Ghana Music Awards USA aims to celebrate and honor Ghanaian musicians, particularly those in the diaspora, for their achievements and contributions to the music industry. Blakid’s nomination is a testament to his hard work and the resonance of his music with audiences both in Ghana and abroad.

As the awards night approaches, fans and industry stakeholders eagerly anticipate the outcomes, with Blakid’s nomination marking a significant milestone in his burgeoning career.