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Medikal Declares Himself Artiste Of The Year 2025 After TGMA Nominations

Award-winning Ghanaian rapper Medikal has confidently declared himself the rightful Artiste of the Year for 2025 following the release of nominations for the Telecel Ghana Music Awards.

 

The rapper made the bold declaration during a live performance at Kumawu on Saturday night, where he paused mid-set to address fans about the nominations.

 

“You know they released the nominations for the TGMA and the Artiste of the Year category,” he told the crowd. “You know Medikal has been working extremely harder than everyone every year. Let’s tell the organizers that this year, no libilibi, no labala.”

 

The statement was met with loud cheers from fans who echoed his confidence and support.

 

This year, Medikal stands among the most nominated artistes at the awards, securing over eight nominations, a reflection of what many fans describe as one of the most active and impactful years of his career.

 

He received nominations in the following categories:

  • Music Video of the Year
  • Rap Performance of the Year
  • Hiplife/Hip-Hop Artiste of the Year
  • Most Popular Song of the Year
  • Collaboration of the Year
  • Album/EP of the Year
  • Hiplife Song of the Year
  • Artiste of the Year

 

The Charterhouse Productions-organized awards scheme, powered by Telecel Ghana, is regarded as Ghana’s biggest music honors platform, celebrating excellence across the industry.

 

Supporters of the rapper argue that his consistency, hit releases, performances across the country, and strong fan engagement make a compelling case for him to win the night’s top prize.

 

With nominations spanning multiple major categories and a strong presence in the Ghanaian music scene throughout the year, Medikal’s campaign for the Artiste of the Year crown is already gaining momentum among fans and industry observers alike.

 

As anticipation builds toward the awards night, Medikal’s declaration has added a new layer of excitement to the race for the coveted title.

 

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Brave King (BK) & Tina Brown Africa Explore Vulnerability And Melody On New Single “Insecure”

Ghanaian-Belgian artist Brave King, popularly known as BK, has teamed up with Tina Brown Africa for a compelling new release titled “Insecure” a song that leans heavily into emotion, melody, and vocal expression rather than conventional rap delivery.
Released on March 21, 2026, the single marks another significant step in BK’s artistic evolution, positioning him not just as a performer but as a refined vocalist capable of translating deep emotions into music.
“Insecure” is a reflective piece that dives into the fragile dynamics of relationships touching on trust issues, emotional vulnerability, and the silent struggles that come with love. The song is crafted as a musical conversation, presenting two perspectives navigating uncertainty and emotional exposure.
Rather than relying on rap-heavy verses, BK adopts a more melodic and expressive singing approach, allowing his voice to carry the weight of the song’s message. His delivery is smooth, controlled, and emotionally driven, emphasizing tone and feeling over lyrical aggression.
This direction highlights his versatility as an artist and reinforces his ability to connect with listeners on a deeper, more personal level.
Born Nana Baafour, Brave King has steadily built his career from Belgium while maintaining strong ties to Ghana’s music scene. His sound blends Afrobeat rhythms with global influences, creating a cross-cultural appeal that resonates with both African and international audiences.
Over time, BK has shown a clear shift toward melody-driven records. Even in his earlier releases, including his 2025 collaboration “What’s My Name? (Ye Fre Me Sen)” with Rebbel Ashes, there were hints of his growing preference for musicality over pure rap expression.
With “Insecure,” that transition becomes more evident. His vocal performance is intentional soft where it needs to be, emotionally charged at key moments, and carefully layered over the instrumental to create a soothing yet thought-provoking listening experience.
Tina Brown Africa brings balance and depth to the track with her signature soft vocals and genre-fluid style. Known for seamlessly blending Afrobeats, Highlife, Dancehall, and Hip-hop, she adds a feminine perspective that enhances the song’s storytelling.
Her ability to switch between languages including Yoruba, Twi, Ewe, and English has contributed to her growing recognition across multiple African music markets.
On “Insecure,” her delivery is both soothing and assertive, creating a perfect contrast to BK’s emotional tone while maintaining harmony throughout the record.
The song is produced by Survival Beatz, whose work on the track provides a rich Afro-influenced soundscape. The production is intentionally atmospheric, allowing space for both artists to shine vocally while reinforcing the emotional core of the song.
The instrumental avoids unnecessary complexity, instead focusing on melody, rhythm, and mood elements that support BK’s singing and make the track relatable and replay-worthy.
“Insecure” is more than just a collaboration it is a statement of artistic direction for Brave King. By prioritizing singing and emotional storytelling, he positions himself within a growing class of Afro-fusion artists who blur the lines between singing and rap, leaning more toward musical expression.
For Tina Brown Africa, the collaboration further solidifies her reputation as a versatile and dependable feature artist capable of elevating any record she’s part of.
With “Insecure,” Brave King and Tina Brown Africa deliver a song that is both emotionally resonant and sonically appealing. It stands as a testament to the power of vulnerability in music and showcases BK’s evolution into a more melody-driven artist.
In an industry often dominated by high-energy hits, “Insecure” offers something different a calm, heartfelt, and vocally rich experience that speaks directly to real-life emotions.
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‘Never Shake’ Album By Ohemaa Rhoda Slated For 26th March, 2026

Prolific Ghanaian gospel musician Ohemaa Rhoda is poised to release her highly anticipated project, the Never Shake album, in a landmark event that promises to make waves in the gospel music scene.

 

With years of consistent dedication and remarkable musical talent, Ohemaa Rhoda has built a strong reputation in the industry. This new body of work is expected to bring a transformative energy to gospel music, setting a powerful tone for spiritual inspiration and renewal.

 

The album launch is scheduled for Thursday, March 26, 2026, at 4:00 PM at the Town Park in Wasa Dadieso. The event will feature special appearances and support from renowned gospel artists, including Joyce Blessing, Broda Sammy, and Abawa Connie, who are set to join Ohemaa Rhoda in celebrating this milestone.

Fans and music enthusiasts are encouraged to attend what is sure to be an uplifting and memorable gathering.

 

Article by Kobby Loam

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MC Benedictus Transitions Into Real Estate, Takes Up COO Role At ACL Properties Ghana

Known for his commanding stage presence and reputation for delivering seamless events, Benedictus Amekuadzi — popularly known as MC Benedictus — has carved a niche for himself as one of Ghana’s most respected professional Masters of Ceremonies.

 

With over a decade of experience anchoring high-profile events, his name has become synonymous with excellence, precision and strong audience engagement.

 

In a strategic shift driven by passion and purpose, Benedictus is now extending his influence beyond the microphone into Ghana’s fast-growing real estate sector.

 

Building on the discipline, coordination and people-centred approach that defined his career as an MC, he is stepping into the industry with a clear vision: to connect clients to value-driven property solutions while maintaining the high standards that earned him recognition on stage.

 

“I have always believed in creating experiences that leave a lasting impact,” Benedictus said.

 

“Real estate offers me another avenue to do just that by helping people build, own and invest in spaces that matter.”

 

At the centre of this new chapter is his appointment as Chief Operations Officer (COO) at ACL Properties Ghana, a firm focused on delivering comprehensive real estate solutions tailored to meet client needs and industry standards.

 

Operating with a multidisciplinary team of architects, structural engineers, licensed surveyors, and skilled artisans, ACL Properties Ghana positions itself as a one-stop hub for property development and advisory services.

 

The company’s offerings span the full real estate value chain, including land acquisition, architectural design, quantity surveying, land registration and construction services — ensuring clients are supported from concept to completion.

 

Based in Pantang-Adenta, ACL Properties Ghana is steadily positioning itself as a trusted player in Ghana’s real estate space, leveraging expertise and a client-focused approach to deliver quality and value.

 

As Benedictus Amekuadzi steps into this new arena, one thing remains constant — his commitment to excellence. Those who have followed his journey or wish to engage further with his work and insights can connect with him via Instagram (@mc_benedictus) or reach out directly through email (benamekuadzi@gmail.com) and phone (0244485968), as he continues to build meaningful impact both on and off the stage.

 

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Mediq Mane And Omo Marani Films New Music Video – See BTS Photos!

CollinWud label brothers, Mediq Mane and Omo Marani have completed video shoot for a latest song due to hit the stores soon.

 

The song and video would is part of a stringed project due for release soon.

 

Mediq Mane and Omo Marani are Ghanaian Afrobeats artistes, still working their craft progressively to the top.

 

CollinWud, their mother label also hosts other artistes such as Corzzy Blaque, Jah Throne, Tungbani, Others.

 

Their flagship concert, themed “Keta To The World” is one of the culture-sustaining music and arts events laced with the annual Hogbetsotso Festival celebrated by the Anlo Communities in Keta; the concert stages annually and enters its 5th year this year (2026).

 

 

 

Written By: BeenieWords

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National Federation Of Masqueraders Unveils Black Star Carnival To Drive Tourism And Revenue – Dr. Arhin

The National Federation of Masqueraders and Fancy Dress of Ghana has unveiled plans to launch a nationwide carnival initiative designed to transform the country’s vibrant masquerade tradition into a structured, revenue-generating tourism product.

 

Dubbed the Black Star Carnival, the initiative will adopt a three-tiered approach, beginning with district-level celebrations, progressing to regional durbars, and culminating in a grand national finale. The programme aims to harness the cultural and economic potential of the country’s various fancy dress and masquerade traditions by creating a unified calendar of events that showcases Ghana’s creative heritage to both domestic and international audiences.

 

 

To ensure the initiative benefits from global best practices, an international delegation from the global carnival community will visit Ghana to provide technical expertise and strategic guidance. The visiting team includes Mr Henry Antoine, President of the World Carnival Commission; Mr Pax Nindi, Chief Executive Officer of the World Carnival Commission and President of the Global Carnival Centre, who brings extensive experience in sustainable carnival practice and has worked extensively across Africa and the Caribbean developing festival infrastructure.

 

 

The delegation will also feature key commission members such as Mr Michael Roberts, Ms Jemma Jordan (the Voice of Carnival), Ms Claudette Antoine, together with Ms Shirley Boston of Carnival USA. Their mandate will be to work alongside Ghanaian stakeholders to facilitate the creation, development, and successful implementation of the Black Star Carnival structure.

 

 

Announcing the initiative, Dr Benjamin Oduro Arhin Jnr, speaking on behalf of the Federation, emphasized the economic rationale behind the structured approach.

 

“This is about transforming what has historically been a community-based tradition into a sustainable creative industry,” Dr Oduro Arhin Jnr stated. “By coordinating our efforts from the district level through to the national stage, we create multiple touchpoints for tourism engagement. The tourist who comes to witness the district celebration in the Volta Region may be inspired to follow the progression to the regional level and, ultimately, to the national climax at the Black Star Square.”

 

 

The carnival structure is designed to achieve three primary objectives: attract cultural tourism to communities across all sixteen regions, generate tax revenue for the state through formalized events and services, and create sustainable income streams for the myriad stakeholders involved in the masquerade value chain.

 

These stakeholders include costume designers, mask carvers, event organizers, transport operators, and hospitality providers, all of whom stand to benefit from increased patronage and the formalization of what has largely remained an informal sector activity.

 

Dr Oduro Arhin Jnr noted that with international collaboration from experienced carnival practitioners, the Black Star Carnival would position Ghana as a premier destination for cultural tourism in West Africa, drawing comparison to established carnival destinations while maintaining the distinct character of Ghana’s masquerade traditions.

 

The Federation has indicated that detailed guidelines for participation, including criteria for progression from district to regional and national levels, will be released in the coming weeks, with the inaugural edition of the carnival expected to commence later in the year following the technical advisory visit from the international delegation.

 

The federation is working along side the Ministry of Tourism, Culture and Creative Arts to ensure the Black Star Carnival is successfully launched.

According Dr. Arhin Jnr popularly known as Bnoskka said the visiting delegation will pay a courtesy call on speaker of parliament, the presidency and also engage other stakeholders in the form of National Policy Dialogue on Development and implementation of the Black Star Carnival.

 

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Don’t Be Surprised If You See Me On The Rapperholic O2 Stage — Danny Lampo Hints At Rapperholic 2027 Appearance

UK-based Ghanaian Afrobeat artist Danny Lampo is generating conversations within the Ghanaian entertainment space after confidently hinting at a possible appearance at the upcoming Rapperholic concert scheduled to take place at London’s iconic The O2 Arena in 2027.
The artist recently made a bold statement that has caught the attention of fans and entertainment observers alike.
 “Don’t be surprised when you see me as one of the artists on Rapperholic at the O2 Arena,” Danny Lampo said.
His comment comes shortly after Ghanaian rap icon Sarkodie officially announced that the globally recognized Rapperholic concert brand will make its way to the United Kingdom with a major show at the O2 Arena — one of the world’s most prestigious entertainment venues.
Since its inception in 2012, Rapperholic has grown into one of the most anticipated music events on Ghana’s entertainment calendar.
Founded by award-winning rapper Sarkodie, the annual concert has consistently showcased some of the biggest talents in Ghanaian music, bringing together artists across genres including hip-hop, Afrobeats, dancehall, and highlife.
Over the years, Rapperholic has become known for its electrifying performances, surprise guest appearances, and unforgettable moments that attract thousands of music fans each year.
The announcement that the concert will take place at the internationally renowned The O2 Arena in London marks a historic moment for Ghanaian music on the global stage.
With a seating capacity of approximately 20,000, the O2 Arena has hosted some of the biggest names in global music, including Drake, Beyoncé, and Wizkid.
Hosting Rapperholic at such a prestigious venue highlights the growing global appeal of Ghanaian music and the strong support from the Ghanaian diaspora community in the United Kingdom.
For Danny Lampo, performing at Rapperholic 2027 would represent a major milestone in his musical journey.
Born Daniel Amponsah, the Afrobeat artist is part of a new generation of Ghanaian musicians in the diaspora who are pushing African music beyond the continent.
Although born in Italy, Lampo maintains strong Ghanaian roots and has built much of his career in the United Kingdom, where he continues to promote Afrobeats and African culture through his music.
Over the years, he has released several songs that have helped grow his presence within the Afrobeat scene. One of his notable releases, “Ebony,” introduced him to a wider audience and helped establish his name among emerging Ghanaian artists abroad.
Through consistent releases, performances, and collaborations, Danny Lampo has steadily built a reputation within the diaspora music community.
His growing influence within the Afrobeat movement positions him as one of the Ghanaian artists abroad aiming to make a mark on bigger international stages.
Danny Lampo’s confident statement about potentially appearing at Rapperholic has already begun generating excitement among fans.
While the official lineup for the O2 Arena edition of Rapperholic has not yet been fully announced, his comment suggests that the artist is optimistic about being part of what is expected to be one of the biggest Ghanaian music events to take place outside the country.
For emerging artists, performing at a venue like the O2 Arena represents a defining moment — an opportunity to reach thousands of fans and gain global visibility.
The upcoming Rapperholic concert in London reflects the broader global growth of Ghanaian music.
With Afrobeats dominating international charts and African artists increasingly filling major arenas worldwide, events like Rapperholic UK demonstrate how Ghanaian talent continues to break boundaries.
For diaspora artists such as Danny Lampo, the possibility of sharing the stage at such a historic event represents not just personal success, but also the growing influence of Ghanaian musicians across the world.
As anticipation builds toward the 2027 Rapperholic concert at the O2 Arena, fans will be watching closely to see whether Danny Lampo’s bold prediction becomes a reality.
If it does, it could mark a significant moment in the career of the rising Afrobeat artist and further highlight the expanding reach of Ghanaian music on the global stage.
Written By: Promoter Koolic
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ChiDon And De Eye Bridge Cultures On New Single “Allah Sariki”

Nigerian GodsPop artist ChiDon GPM is set to release his new single “Allah Sariki” featuring Ghanaian Afrobeat artist De Eye on March 16. The song, which means “God is King,” carries a strong message of faith, reminding listeners that success and elevation come through trusting in God.

The collaboration blends cultures and languages, with ChiDon GPM delivering verses in Igbo and English, while De Eye adds a unique touch in Hausa, creating a musical bridge that celebrates unity beyond language, culture, and religion.

With its uplifting message and powerful cross-cultural collaboration, “Allah Sariki” is expected to resonate with audiences across Africa when it releases on major streaming platforms on March 16.

Follow for more: @chidongpm on all platforms.

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Brave King (BK) & Tina Brown Africa Set To Release New Single “Insecure”

The Ghanaian music scene is set to welcome a compelling new collaboration as Brave King (BK) teams up with Tina Brown Africa for their upcoming single titled “Insecure,” scheduled for release on the 21st of this month. Produced by Survival Beatz, the song promises to deliver a thoughtful blend of emotion, storytelling, and contemporary African sound.
“Insecure” explores the emotional complexities that often arise within relationships. The song delves into themes of vulnerability, trust, and the internal conflicts that individuals experience when deeply invested in someone they care about. By addressing these universal emotions, the record seeks to connect with listeners who have experienced the delicate balance between love and uncertainty.
Brave King approaches the record with an expressive and reflective delivery that highlights the emotional depth behind the narrative. His performance captures the perspective of someone navigating the challenges of love while confronting personal insecurities that sometimes accompany genuine emotional attachment.
Complementing his performance, Tina Brown Africa adds a soulful and emotionally rich vocal presence that strengthens the overall storytelling of the track. Known for her versatility and distinctive voice, she brings warmth and balance to the song, creating a musical dialogue that reflects different emotional viewpoints within a relationship.
The production by Survival Beatz provides a smooth and atmospheric backdrop that allows both artists to fully express the song’s message. Blending modern Afro-influenced rhythms with melodic elements, the production maintains a calm yet engaging soundscape that enhances the emotional tone of the record.
Brave King, whose real name is Nana Baafour, is a Ghanaian musician currently based in Belgium. Over the years, he has continued to build his presence within the international music scene while maintaining strong connections to the Ghanaian industry. His work often reflects a fusion of African musical influences with contemporary global sounds, allowing him to reach audiences both in Africa and across the diaspora.
Prior to the announcement of “Insecure,” BK collaborated with fellow Ghanaian artist Rebbel Ashes on the single “What’s My Name? (Ye Fre Me Sen),” released in December 2025. The track showcased BK’s ability to work across different musical styles while strengthening his growing list of international collaborations.
Tina Brown Africa, on the other hand, continues to establish herself as one of the emerging female voices within the African music space. Born in Nigeria to Togolese parents and raised in Ghana, she brings a multicultural influence to her music. Since beginning her professional career in 2018, she has gained recognition for her versatility across genres including Afrobeats, Highlife, Dancehall, and Hip-hop. Her music often blends strong vocal performance with themes that resonate with everyday experiences.
With the upcoming release of “Insecure,” the collaboration between Brave King and Tina Brown Africa represents a meeting of two artists who share a commitment to expressive storytelling and musical authenticity. As anticipation builds ahead of the official release, the song is expected to capture the attention of listeners who appreciate music that combines emotional depth with contemporary African sound.
“Insecure” by Brave King (BK) featuring Tina Brown Africa, produced by Survival Beatz, will be available on all major digital streaming platforms on the 21st of this month.
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Ghanaian Mawuko Kuadzi Brings Artios Best International Feature To Africa With Historic New York Triumph

Ghanaian casting director Mawuko Kuadzi and CEO of MK Casting has won Best International Feature at the 41st Artios Awards, emerging at the top of a highly competitive global category and reinforcing Africa’s growing authority in international creative expressions.

 

The ceremony, hosted at The Edison Ballroom in New York on the evening of 26th February 2026, saw Mawuko Kuadzi prevail over strong contenders from Asia and Europe. The International Feature category included Kokuho, cast by Japan’s Masunobu Motokawa, and Sound of Falling, cast by Berlin’s Karimah El-Giamal. Kuadzi secured the award for his casting work on The Fisherman, placing Ghana firmly among the world’s most respected creative markets.

 

Organized annually by the Casting Society of America (CSA), the Artios Awards recognize excellence in casting across film, television, and commercial productions. This marks Mawuko Kuadzi’s second Artios win in consecutive years. The awards which was also held simultaneously at The Beverly Hilton in Los Angeles, and the One Moorgate Place in London honored the best in originality, creativity and contribution of casting professionals to the overall quality of a film, television series, short form projects, theatre production and commercials around the world.

 

At the 40th edition last year, Mawuko Kuadzi made history as the first African ever to win an Artios Award since its inception, taking home Best Casting for a Commercial for his work on the NFL Super Bowl production Born to Play. That victory, linked to the NFL Super Bowl broadcast, carried symbolic weight across the continent.

 

Reflecting on his journey during his acceptance speech, Mawuko expressed gratitude to the CSA membership and organizers. “ I am deeply grateful to the Almighty God for this award. Thank you to the Casting Society and the Artios Awards Committee for this honor. Thank you to all the members who voted for me. Thank you to the Director of Fisherman Zoey Martinson for the opportunity to work with you and the entire Cast and Crew. God bless everyone who continues to open this platform to the voices from every part of the world. Your commitment to excellence and inclusivity gives professionals like me, working far from traditional industry centers, the opportunity to stand on a truly global stage.”

 

He added that the recognition should serve as encouragement to emerging artists. “If you put in the effort, remain faithful to your craft, and commit fully to excellence, even from the most remote corner of the world, your work can travel. The world will take notice.”

 

His first Artios win resonated far beyond the awards stage. The honor prompted courtesy visits to several African embassies in Ghana, where the achievement was celebrated as a continental milestone. He was also received at the United States Embassy in Accra, underscoring the diplomatic and cultural significance of the moment.

 

This year’s victory has already triggered another wave of recognition. Scores of congratulatory messages have poured in from across Africa, Europe, America, and the broader creative diaspora. Industry leaders, filmmakers, actors, and young creatives have taken to social platforms and professional networks to hail the win as a triumph not only for Ghana, but for the continent.

 

President of the African Chamber of Content Producers, Nana Dwomoh-Doyen Benjamin, congratulated Mawuko Kuadzi on behalf of African content creators. “Mawuko’s achievement confirms that African storytelling is not peripheral to global cinema,” he said. “We commend the CSA and the Artios organizers for their impartial recognition of stories and voices from every region. This is how global standards are strengthened.”

 

Nana Dwomoh-Doyen added that Mawuko’s back-to-back wins have raised expectations for African casting and production quality. “He has set a benchmark. Young creatives across the continent can now see that excellence is rewarded, and that authenticity has value on the world stage.”

 

The Fisherman, which earned Mawuko Kuadzi his International Feature win, had already gained momentum on the continent, winning Best Ghanaian Film at the REFFA Awards and securing the Lead Actor prize for Best Actor in Africa. The Artios recognition now gives the project further global validation.

 

As Mawuko Kuadzi prepares for his next major projects in 2026, including Kismet to be shot in Nigeria, Echoes of Unity in Uganda, and the Africa Monologue Challenge scheduled for Ivory Coast, industry observers say the bar has been raised.

 

With two  successive Artios wins, Mawuko Kuadzi has not only elevated Ghana’s standing in global casting but has also strengthened Africa’s claim to authentic, compelling storytelling. For many across the continent, his journey stands as proof that African creativity, when matched with discipline and vision, commands respect on the world’s most recognized stages.

 

Story : Mk Content

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The Spoken Word Poem By Lincoln X For The Celebration Of Dr. Kwame Nkrumah On Sixth Of March, 2026

The Man (Kwame Nkrumah)” is a spoken-word poetry piece by Ghanaian Artist and Poet Osman Abraham Lincoln, also known as Lincoln X (Kwaku Aman-ahu), released in 2021 on his introductory album Dantaban (The Circle Within Circles). The poem pays tribute to Dr. Kwame Nkrumah, Ghana’s first president, highlighting his role as a Pan-African visionary and a “Man of the Spheres”.

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‎Key Aspects of the Work
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‎Theme: The poem honors Nkrumah as a legendary, transformative figure who “broke the chain of colonialism” and championed the total liberation and unification of Africa. The poem also revealed Nkrumah’s intellectual prowess (“monk in monastery”), oratorical skills, and his enduring influence on Pan-Africanism.
‎It serves as a tribute to Nkrumah’s commitment to the unity of the African continent.
‎The piece unveils Nkrumah true identity as a figure whose historical significance cannot be diminished, calling him “the MAN beyond century”.

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‎Imagery: It portrays Nkrumah as a figure of mystery, addressing his legacy, the “mellifluous voice” from his time in Conakry, and his dedication to the African diaspora.

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‎Lincoln X, a performer of poetry, literature, and music, uses this piece to reflect on the enduring, prophetic nature of Nkrumah’s ideas despite his overthrow.

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‎Release: The track was released on September 13, 2021.

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‎The piece is often celebrated alongside Nkrumah’s famous quote: “I am not an African because I was born in Africa but I am an African because Africa was born in me”. Here are the links to listen and watch:

 

Stream Here: https://audiomack.com/lincoln-x/song/the-man-kwame-nkrumah

 

‎
‎THE MAN (KWAME NKRUMAH)
‎
‎Verse 1
‎
‎The MAN of the Spheres, lives in mystery
‎
‎His shadow is here, stirring the waters in victory
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‎The spear that penetrates every territory
‎
‎The lions fell into a spell by His oratory
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‎The feet adorned with destiny and fate of poetry
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‎The brain that stirs the minds as monk in monastery
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‎On the mission for history—
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‎His Throne was buried in the strangers’ cemetery
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‎The people’s ears are deaf and dumb in misery
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‎They could not hear the mellifluous voice from Conakry
‎
‎Ages appears and disappears in circles of geometry
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‎The same hands hails Him the MAN beyond century.

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‎Verse 2
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‎The cockroaches fears the mere crumbs of His illumination
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‎Which outshines on their filthy faces with imagination
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‎This is the night-seer, in frozen ice;
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‎Counted all the countless stars in the skies
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‎What hand can bloat the MAN from the golden scroll?
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‎Even His breeze makes Clio to roll
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‎Blockheads are scared by the scarecrow
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‎Neophytes can write their diatribes on the snow,
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‎But the dry land cannot stop the baobab tree to grow
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‎Deities worshipping at the feet of the hero
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‎He made the clouds wept and all the gods became tyro.

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‎Verse 3
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‎His manhood gave birth to the reincarnated Ancient Kingdom
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‎That made the other Man prophesied in the tomb:
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‎“The Birth of a New Nation,” thus spoken the wisdom
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‎The age of the times crumbles the bomb
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‎The hour reveal the coming event from the womb
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‎These are nights to keep vigil as owl at watch
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‎But not to sleep on the couch
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‎The visionaries living now, fan the torch;
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‎The blazing torch He left for us to watch
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‎They could not hear the mellifluous voice from Conakry.

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‎ ©2021 OSMAN ABRAHAM LINCOLN (LINCOLN X, KWAKU AMAN-AHU), +233240904962

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