The Man (Kwame Nkrumah)” is a spoken-word poetry piece by Ghanaian Artist and Poet Osman Abraham Lincoln, also known as Lincoln X (Kwaku Aman-ahu), released in 2021 on his introductory album Dantaban (The Circle Within Circles). The poem pays tribute to Dr. Kwame Nkrumah, Ghana’s first president, highlighting his role as a Pan-African visionary and a “Man of the Spheres”.

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‎Key Aspects of the Work
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‎Theme: The poem honors Nkrumah as a legendary, transformative figure who “broke the chain of colonialism” and championed the total liberation and unification of Africa. The poem also revealed Nkrumah’s intellectual prowess (“monk in monastery”), oratorical skills, and his enduring influence on Pan-Africanism.
‎It serves as a tribute to Nkrumah’s commitment to the unity of the African continent.
‎The piece unveils Nkrumah true identity as a figure whose historical significance cannot be diminished, calling him “the MAN beyond century”.

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‎Imagery: It portrays Nkrumah as a figure of mystery, addressing his legacy, the “mellifluous voice” from his time in Conakry, and his dedication to the African diaspora.

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‎Lincoln X, a performer of poetry, literature, and music, uses this piece to reflect on the enduring, prophetic nature of Nkrumah’s ideas despite his overthrow.

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‎Release: The track was released on September 13, 2021.

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‎The piece is often celebrated alongside Nkrumah’s famous quote: “I am not an African because I was born in Africa but I am an African because Africa was born in me”. Here are the links to listen and watch:

Stream Here: https://audiomack.com/lincoln-x/song/the-man-kwame-nkrumah

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‎THE MAN (KWAME NKRUMAH)
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‎Verse 1
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‎The MAN of the Spheres, lives in mystery
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‎His shadow is here, stirring the waters in victory
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‎The spear that penetrates every territory
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‎The lions fell into a spell by His oratory
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‎The feet adorned with destiny and fate of poetry
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‎The brain that stirs the minds as monk in monastery
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‎On the mission for history—
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‎His Throne was buried in the strangers’ cemetery
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‎The people’s ears are deaf and dumb in misery
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‎They could not hear the mellifluous voice from Conakry
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‎Ages appears and disappears in circles of geometry
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‎The same hands hails Him the MAN beyond century.

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‎Verse 2
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‎The cockroaches fears the mere crumbs of His illumination
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‎Which outshines on their filthy faces with imagination
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‎This is the night-seer, in frozen ice;
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‎Counted all the countless stars in the skies
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‎What hand can bloat the MAN from the golden scroll?
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‎Even His breeze makes Clio to roll
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‎Blockheads are scared by the scarecrow
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‎Neophytes can write their diatribes on the snow,
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‎But the dry land cannot stop the baobab tree to grow
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‎Deities worshipping at the feet of the hero
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‎He made the clouds wept and all the gods became tyro.

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‎Verse 3
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‎His manhood gave birth to the reincarnated Ancient Kingdom
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‎That made the other Man prophesied in the tomb:
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‎“The Birth of a New Nation,” thus spoken the wisdom
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‎The age of the times crumbles the bomb
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‎The hour reveal the coming event from the womb
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‎These are nights to keep vigil as owl at watch
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‎But not to sleep on the couch
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‎The visionaries living now, fan the torch;
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‎The blazing torch He left for us to watch
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‎They could not hear the mellifluous voice from Conakry.

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‎ ©2021 OSMAN ABRAHAM LINCOLN (LINCOLN X, KWAKU AMAN-AHU), +233240904962

A major legal dispute has erupted over the ownership of Burna Boy’s early music catalogue, setting his former label against his current management.

The conflict centers on a mid-2024 deal in which Aristokrat Records, the label that launched his career, allegedly sold his early masters and intellectual property to his current imprint, Spaceship Music, run by Burna Boy and his mother.

However, 960 Music Group, which owns a 40% stake in Aristokrat Records, claims the sale was illegal and done without its consent. The company has filed lawsuits in federal high courts in Lagos and Port Harcourt seeking to overturn the transaction, arguing that Aristokrat could not sell assets it did not fully own.

The dispute has escalated beyond civil court, with criminal charges reportedly filed against Aristokrat founder Piriye Isokrari following allegations of financial misconduct.

The case now threatens to reshape control of Burna Boy’s early hits and highlights the high stakes surrounding music ownership in the industry.

In a bold endorsement that’s sending ripples through Ghana’s music scene, veteran entertainment pundit and artiste manager Lawrence Asiamah Hanson popularly known as Bullgod has thrown his full weight behind Joseph Matthew’s reggae-infused single “Love In You” as a must-nominate contender for the “Reggae Song of the Year”category at the 2026 Telecel Ghana Music Awards (TGMA).

Speaking in an exclusive interview on Accra’s Hot 93.9 FM during the mid-morning show “Aye Hu”, Bullgod didn’t mince words:

 “The song is very great… It is beautiful and world-class. Joseph Matthew’s ‘Love In You’ deserves a nomination at the 2026 TGMA,  it’s non-negotiable.”

 

Known primarily for his innovative ‘Afro-Gospel’ sound that fuses faith-driven lyrics with contemporary Afrobeat grooves, Joseph Matthew took a daring stylistic detour with “Love In You.” The track dives deep into authentic reggae rhythms, delivering crisp production, impeccable mixing, and mastering that effortlessly bridges the Ghanaian local scene with the global diaspora.

Bullgod praised the song’s universal appeal: while Joseph remains rooted in inspirational, faith-based messaging, “Love In You” carries a timeless, heartfelt theme of compassion, devotion, and human connection. One that resonates far beyond religious boundaries and across all demographics.

The Reggae/Dancehall category at the TGMA has long been dominated by heavyweights like Stonebwoy (a multi-year champion and global ambassador for Ghanaian dancehall), Jupitar, and Shatta Wale; artistes with massive fanbases, strong streaming numbers, and public voting power.

When pressed on whether Joseph Matthew could realistically break that streak and claim the win, Bullgod remained optimistic yet pragmatic:

“If there is no public voting, I’m sure Matthew can win. But because Stonebwoy, Jupitar, and Shatta Wale have the numbers, he may not win. However, the song certainly deserves a nomination.”

 

Bullgod’s vote of confidence underscores a growing sentiment in industry circles. “Love In You” isn’t just another gospel track,  it is a genre-crossing masterpiece that elevates Ghanaian reggae production to international standards.

Joseph Matthew’s journey from UK-based Afro-Gospel head to versatile genre explorer has already inspired a new wave of artistes pushing boundaries in Ghanaian Christian and inspirational music. A TGMA nomination in the competitive Reggae category would be a landmark moment, validating his bold experimentation and proving that faith-based music can thrive in secular spaces.

As the 2026 TGMA nomination window approaches (typically opening early in the year ahead of the May/June ceremony), Bullgod’s high-profile endorsement adds serious momentum to Joseph Matthew’s campaign.

Fans and industry watchers are now watching closely: Will “Love In You” make the official shortlist? If so, can its quality and artistry overcome the fan-vote giants?

Watch what Bullgod said below.

The dynamic gospel collective Joseph and the Kohanim is once again ready to captivate audiences with their signature fusion of Afrobeat rhythms, R&B soul, and heartfelt worship. Since their rebrand in 2017, the group led by visionary singer, producer, and creative force Dr. Joseph Opare, has built a devoted following by seamlessly blending contemporary grooves with timeless spiritual truths and traditional African musical elements.

Their music is not just heard; it is felt. It moves bodies in praise, stirs souls in reflection, and bridges generations through infectious beats and anointed lyrics. Tracks like “Okro Mouth,” “Lord I Need You,” and “In Your Presence” have already showcased their versatility across Afrobeat Gospel, R&B worship, and even touches of Latin flair, proving they’re not afraid to push boundaries while staying deeply rooted in faith.

Now, anticipation is reaching fever pitch for their next major release: the highly awaited album “I Believe”, scheduled to drop on March 14, 2026.

Leading the charge is the electrifying lead single “Gloria a Dios”, set for release on February 28, 2026. Described as a vibrant Salsa Gospel anthem, the track promises to bring Latin fire to Christian praise, complete with infectious rhythms, passionate declarations of glory to God, and that unmistakable Joseph and the Kohanim energy that makes listeners want to dance and worship simultaneously.

The full tracklist for “I Believe” are as follows;
– Gloria a Dios
– Heavenly Lane
– I Believe
– Holy One
– Thank You Lord
– I Just Can’t Get Enough
– The World’s Gone Crazy
– Rise Up Again
– Tears Of Joy
– You Make Me Wanna
– Seek Him
– You Make Me Wanna (Reprise)

This 12-track project looks poised to be a spiritual and sonic journey, balancing high-energy anthems, soul-stirring ballads, reflective moments, and triumphant reprises. Given the group’s proven track record of delivering emotionally resonant, culturally rich, and musically innovative gospel, expectations are sky-high.

Fans are already buzzing across social media, YouTube, Spotify, and Instagram, where teasers and behind-the-scenes glimpses have only fueled the excitement.

Whether you’re drawn to the Afrobeat pulse, the R&B smoothness, the worship depth, or the bold cultural fusion, “I Believe” is shaping up to be another milestone in Joseph and the Kohanim’s mission to spread revival sounds from Ghana to the nations.

Follow Joseph and the Kohanim on YouTube (@josephandthekohanim), Spotify, Instagram (@josephandthekohanim), and other platforms for updates, pre-saves, and first-listen opportunities.

Multiple-award-winning Ghanaian rapper Medikal has secured an international nomination, as his headline concert, “Beyond Kontrol,” gets nominated in the Concert of the Year category at the 43rd edition of the International Reggae and World Music Awards, popularly known as
IRAWMA.

Founded in 1982, IRAWMA is one of the longest-running award schemes dedicated to celebrating reggae and world music talents across the globe. Over the years, the platform has recognized influential artists from the Caribbean, Africa, Europe, and North America, positioning
itself as a respected international institution within the global music community. A nomination from the scheme signals cross-border impact and cultural relevance beyond an artist’s home market.

Medikal’s nomination comes on the back of his “Beyond Kontrol” concert, which was staged at the Accra Sports Stadium. Hosting a full-scale concert at one of Ghana’s largest venues marked a significant moment in his live performance career. The show was characterized by high
production value, strong stage design, energetic delivery, and a setlist packed with fan favorites. The Concert of the Year category typically recognizes not only attendance numbers but overall execution, audience engagement, and cultural impact. Industry observers say the nomination reflects the scale and ambition behind the Accra Sports Stadium event.

Beyond the concert, Medikal’s strong positioning this year has also been fueled by the success of his hit single “Shoulder,” widely regarded as the biggest song of 2025. The track dominated airwaves, streaming platforms, and social conversations, reinforcing his commercial strength
and relevance within Ghana’s music landscape. Although he has not yet secured multiple awards this year, there is growing anticipation that he will attract more nominations and potentially convert them into wins as award season unfolds.

The combination of a globally recognized nomination and a record-breaking single has strengthened expectations around his prospects.
For Medikal, the IRAWMA recognition is both a personal achievement and a broader spotlight on Ghanaian hip hop’s expanding international reach.

A major new event is coming to town, and everyone is invited. The Black Star Experience has teamed up with the award-winning Ghanaian DJ, DJ Lord OTB, to put together a special three-day event called “For The Culture.”

The event will take place from Friday, 6th March, to Sunday, 8th March 2026, at the Kwame Nkrumah Museum in Accra. This location was chosen to honor Ghana’s first president, Dr. Kwame Nkrumah, whose memory is celebrated during that week.

“For The Culture” is designed to be a fun outing for everyone. It is a chance for families, friends, and music lovers to come together and enjoy the best of Ghanaian street and pop culture.

Here is what people can expect when they attend:

Music: There will be live performances from big-name Ghanaian artists as well as new, up-and-coming stars. To keep things truly local, only Ghanaian music will be played throughout the entire event.

Shopping: A pop-up market will be available, allowing guests to buy unique items and merchandise from local vendors.

Action: For those who love excitement, there will be BMX bicycle stunt shows featuring riders showing off their skills.

Food: No party is complete without food. There will be plenty of vendors selling delicious local dishes.

The event is suitable for both children and adults. Gates will open at 3:30 PM and close at 10:30 PM each day, making it a perfect after-work or weekend hangout.

“For The Culture” is powered by DC Leakers.

The Ghanaian Afrobeat scene has a fresh voice to watch. Emerging artist Billboy Vybz has officially stepped into the spotlight with the release of his highly anticipated debut single, “Love Na Scam.”

​Produced by the talented Maxroque, the track dives deep into the relatable themes of love, betrayal, and the sting of heartbreak. Combining infectious rhythms with soulful storytelling, the single arrives with significant momentum; Billboy Vybz has already sparked a wave of conversation across social media since the song’s announcement.

​Signed to Kyikyibi Records, Billboy Vybz is quickly becoming a favorite among industry insiders. Music critics are already tipping the young singer as a pivotal figure in the future of Ghanaian Afrobeat, praising his vocal delivery and authentic songwriting.

​”Love Na Scam” isn’t just a debut; it’s a statement of intent from an artist ready to take his place on the global stage.

​Stream “Love Na Scam” below:

Ghanaian-born, US-based gospel minister Apostle Eric Deh has officially released his latest soul-stirring single, “Jesus Paid The Price.”

Rooted in the message of the Gospel, this spirit-filled anthem reminds believers of the ultimate sacrifice made on the cross.

The song serves as a powerful testament to the freedom found in Christ, offering hope to those facing life’s battles.

Apostle Eric Deh’s latest work is more than just music; it is a call to trust in the Redeemer who fights for His children.

​”Jesus Paid The Price” is now available on all major digital streaming platforms with a video on YouTube.

Experience the message of grace today. Enjoy the song below.

OT n Aiges return with “View Once,” a smooth, mid-tempo Afrobeats record that pulls back the curtain on the digital double-lives of modern romance.

The track tells the high-stakes story of a young man caught in a dangerous balancing act: relaxing at home with his fiancée while managing a secret, vanishing connection on his phone. When a provocative video arrives set to “View Once,” it disappears as quickly as it came, leaving him craving one more look.

“View Once” captures the frantic, whispered energy of the “disappearing message” era. Between the infectious groove and the relatable storytelling, the song follows the protagonist as he retreats to the shadows, pleading for a resend and promising total discretion: No posts, no leaks, just one more look.

Blending slick production with a narrative that feels like a leaked group chat, OT n Aiges deliver a track that is as catchy as it is controversial.

Stram “View Once” here: https://easternchild.lks.to/otnaiges

Ghanaian musician RKB, one half of the rising music duo GH Family has shared a deeply personal and heartbreaking chapter of his life that left him emotionally shaken.

In an exclusive and emotional interview with the GHVIBE Media team, RKB revealed that a DNA paternity test has confirmed he is not the biological father of the boy he has lovingly raised, supported, and considered his son for over eleven years.

RKB recounted that he first met Faustina Ohene from Dodowa on 31 December 2012 at Trinity Baptist Church. He explained that he got into a relationship with Faustina a year after they met. Faustina then claimed she had cancelled her marriage which was almost due but could not materialize because of age difference.

“Within a few weeks she told me she was pregnant and that the child was mine,” he explained. “From the very beginning I had a gut feeling something wasn’t right because she had thrown herself at me so quickly but I had no proof. I even told the family that the child wasn’t mine because he didn’t look like me but they always gave me an excuse after the other. I couldn’t accuse her without evidence, so I chose to take responsibility.”

RKB fully embraced fatherhood. He supported Faustina throughout the pregnancy, provided financially, and remained actively involved in the child’s life for more than a decade, covering school fees, medical needs, clothing, and every aspect of upbringing a committed father would.

Years later, Faustina reportedly began pressuring RKB, a UK resident, to bring the boy to live with him in Britain. According to RKB, she threatened to abandon the child if he did not step in, claiming the responsibility was hindering her personal growth and progress.

With no other viable option and wanting the best for the boy, RKB arranged for him to relocate to the UK.

As part of the standard UK immigration and family reunification process, a legal paternity test is required to confirm the parent-child relationship before proceeding further.

Unsure and still carrying that quiet doubt from years earlier, RKB quietly arranged a private DNA test through BluePrint DNA Organization without informing Faustina at the time. The result was devastating. He was not the biological father of the boy.

When asked about his next steps, RKB spoke with remarkable calm and maturity.

“I’ve decided to return the boy to his mother,” he said. “I hold no bitterness. I won’t demand any money back. I’ve left the entire situation in God’s hands.”

He added that, despite the emotional weight of the revelation, he currently feels mentally and emotionally stable.

“I’m in a good place right now. I don’t feel the need for psychological support, at least not at this moment. My focus is shifting back to my music and the work I still have to do.”

Through the hurt, RKB is channeling his energy into creativity. He and his GH Family partner are encouraging fans to stay connected through their music.

The duo recently released their vibrant debut single “Do Your Dance” a joyful, Swahili-infused Afrobeat track that celebrates movement, freedom, and African spirit.

Stream “Do Your Dance” now on all major platforms:

[Stream/Buy]

We wish RKB continued healing, renewed inspiration, and greater success in his music journey ahead.

Feel free to stream, share, and support.