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Here Are The 2023 BET Awards Winners: Full List

The 2023 BET Awards are a wrap!

Six awards were given out on Sunday night’s (June 25) telecast, with Latto accepting best female hip-hop artist and Coco Jones accepting best new artist in person. Teyana Taylor‘s mother, Nikki, accepted her daughter’s award and even called her up via FaceTime during the broadcast to let her know she won video director of the year.

In the 15 non-televised awards, there were two high-profile ties: Beyoncé’s Renaissance and SZA’s SOS tied for album of the year, while Chris Brown and Usher tied for best male R&B/pop artist.

 

Album of the Year
Anyways, Life’s Great, GloRilla
Breezy, Chris Brown
God Did, DJ Khaled
Her Loss, Drake & 21 Savage
Mr. Morale & The Big Steppers, Kendrick Lamar
WINNER (TIE): Renaissance, Beyoncé
WINNER (TIE): SOS, SZA

 

Best Female R&B/Pop Artist
Ari Lennox
Beyoncé
Coco Jones
H.E.R.
Lizzo
WINNER: SZA
Tems

 

Best Male R&B/Pop Artist
Blxst
Brent Faiyaz
Burna Boy
WINNER (TIE): Chris Brown
Drake
The Weeknd
WINNER (TIE): Usher

 

Best Group
City Girls
WINNER: Drake & 21 Savage
Dvsn
FLO
Maverick City Music & Kirk Franklin
Quavo & Takeoff
Wanmor

 

Best Collaboration
“Big Energy (Remix),” Latto & Mariah Carey feat. DJ Khaled
“Boy’s A Liar Pt. 2,” Pinkpantheress & Ice Spice
“Call Me Every Day,” Chris Brown feat. Wizkid
“Can’t Stop Won’t Stop,” King Combs feat. Kodak Black
“Creepin’,” Metro Boomin, The Weeknd & 21 Savage
“F.N.F. (Let’s Go),” Hitkidd & GloRilla
“Tomorrow 2,” GloRilla & Cardi B
WINNER: “Wait For U,” Future feat. Drake & Tems

 

Best Female Hip Hop Artist
Cardi B
Coi Leray
GloRilla
Ice Spice
WINNER: Latto
Megan Thee Stallion
Nicki Minaj

 

Best Male Hip Hop Artist
21 Savage
Drake
Future
J. Cole
Jack Harlow
WINNER: Kendrick Lamar
Lil Baby

 

Video of the Year
“We (Warm Embrace),” Chris Brown
“2 Million Up,” Peezy, Jeezy & Real Boston Richey feat. Rob49
“About Damn Time,” Lizzo
“Bad Habit,” Steve Lacy
“First Class,” Harlow
WINNER: “Kill Bill,” SZA
“Tomorrow 2,” GloRilla & Cardi B

 

Video Director of the Year
A$AP Rocky for AWGE
Benny Boom
Burna Boy
Cole Bennett
Dave Free & Kendrick Lamar
Director X
WINNER: Teyana “Spike Tey” Taylor

 

Best New Artist
Ambré
WINNER: Coco Jones
Doechii
FLO
GloRilla
Ice Spice
Lola Brooke

 

Dr. Bobby Jones Best Gospel/Inspirational Award
WINNER: “Bless Me,” Maverick City Music & Kirk Franklin
“Finished (Live),” Tamela Mann
“I’ve Got Joy,” CeCe Winans
“Kingdom,” Maverick City Music & Kirk Franklin feat. Naomi Raine & Chandler Moore
“New,” Tye Tribbett
“One Moment From Glory,” Yolanda Adams
“The Better Benediction (Pt.2),” PJ Morton feat. Lisa Knowles-Smith, Le’andria Johnson, Keke Wyatt, Kierra Sheard & Tasha Cobbs Leonard

 

Viewer’s Choice Award
“About Damn Time,” Lizzo
WINNER: “Break My Soul,” Beyoncé
“First Class,” Jack Harlow
“Jimmy Cooks,” Drake feat 21 Savage
“Kill Bill,” SZA
“Last Last,” Burna Boy
“Super Freaky Girl,” Nicki Minaj
“Wait For U,” Future feat. Drake & Tems

 

Best International Act
Aya Nakamura (France)
Ayra Starr (Nigeria)
WINNER: Burna Boy (Nigeria)
Central Cee (UK)
Ella Mai (UK)
Ko (South Africa)
L7nnon (Brazil)
Stormzy (UK)
Tiakola (France)
Uncle Waffles (Swaziland)

 

Viewer’s Choice: Best New International Act
Asake (Nigeria)
Camidoh (Ghana)
Flo (UK)
WINNER: Libianca (Cameroon)
Maureen (France)
MC Ryan SP (Brazil)
Pabi Cooper (South Africa)
Raye (UK)
Werenoi (France)

 

BET Her
“About Damn Time,” Lizzo
“Boy’s A Liar Pt. 2,” Pinkpantheress & Ice Spice
WINNER: “Break My Soul,” Beyoncé
“Her,” Megan Thee Stallion
“Lift Me Up,” Black Panther: Wakanda Forever – Music From And Inspired By – Rihanna & Ludwig Göransson
“Players,” Coi Leray
“Special,” Lizzo

 

Best Movie
WINNER: Black Panther: Wakanda Forever
Creed 3
Emancipation
Nope
The Woman King
Till
Whitney Houston: I Wanna Dance With Somebody

 

Best Actor
Amin Joseph
Brian Tyree Henry
WINNER: Damson Idris
Daniel Kaluuya
Demetrius ‘Lil Meech’ Flenory Jr.
Donald Glover
Michael B. Jordan

 

Best Actress
WINNER: Angela Bassett
Coco Jones
Janelle James
Janelle Monáe
Keke Palmer
Viola Davis
Zendaya

Youngstars Award
Akira Akbar
Alaya High
Demi Singleton
Genesis Denise
WINNER: Marsai Martin
Thaddeus J. Mixson
Young Dylan

 

Sportswoman of the Year Award
Alexis Morris
Allyson Felix
WINNER: Angel Reese
Candace Parker
Naomi Osaka
Serena Williams
Sha’carri Richardson

 

Sportsman of the Year Award
Aaron Judge
Bubba Wallace
Gervonta Davis
WINNER: Jalen Hurts
Lebron James
Patrick Mahomes
Stephen Curry

 

Source: Billboard.com

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Rebbel Ashes Joins Kwame MulZz For Electrifying Europa 2 Kumasi Album Launch In n Belgium

Rebbel Ashes, celebrated as the King of Hooks within the Ghanaian Afrobeat scene based in Belgium, delivered a captivating performance alongside Kwame MulZz during the highly anticipated Europa 2 Kumasi album launch in Gent, Belgium. This event, masterminded by Kwame MulZz himself, marked a significant milestone in promoting Ghanaian music and Afrobeats on the European stage.

Rebbel Ashes has garnered acclaim for his distinctive style that effortlessly blends traditional Ghanaian rhythms with modern Afrobeat sounds. His music is revered for its fusion of African beats, soulful melodies, and evocative lyrics that resonate deeply with audiences worldwide. Hits like “Kwansema,”Activate,” “Aunty Sophia,” and “Medi Sika” exemplify his versatility and storytelling prowess, establishing him as a pivotal figure in the Afrobeat genre.

Sharing the spotlight with Rebbel Ashes was Kwame MulZz, the visionary behind the Europa 2 Kumasi album. A Ghanaian-Belgian artist known for his prowess in hiplife, hip hop, and Afrotrap styles, MulZz has honed his craft to reflect a unique blend of African rhythms and European influences. His multifaceted talent as a singer, rapper, producer, and copywriter has led to impactful collaborations, underscoring his creativity and contribution to the music scene.

Adding to the evening’s vibrancy was Edward Buadee, a Ghanaian-born musician whose relocation to Belgium in 1984 has enriched his music with Afrobeat, reggae, and European nuances. Buadee’s soulful voice and dynamic performances complemented the collaborative spirit of the event, showcasing the trio’s dedication to advancing Ghanaian music on a global scale.

The Europa 2 Kumasi album launch transcended its role as a mere music release, symbolizing a celebration of cultural unity and artistic innovation. The synergy between Rebbel Ashes, Kwame MulZz, and Edward Buadee electrified the audience, highlighting their shared vision of pushing boundaries and elevating Ghanaian musical expression internationally.

Rebbel Ashes’ recent single, “Kwansema,” is a testament to his ability to blend traditional Ghanaian rhythms with contemporary Afrobeat elements, garnering widespread acclaim and solidifying his position as a trailblazer in the industry. His ongoing collaboration with Kwame MulZz underscores their collective impact on the global music scene, ushering in a new era for Ghanaian music on international platforms.

As Rebbel Ashes continues to innovate and share his music alongside Kwame MulZz and Edward Buadee, their collaboration at the Europa 2 Kumasi album launch not only reaffirms their dedication to celebrating cultural diversity through music but also inspires audiences worldwide.

 

Written By: Promoter Koolic

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Ghana Music Awards USA To Honor Legendary Sound Engineer Jay Q For Remarkable Contributions To Ghanaian Music

In a prestigious recognition of outstanding talent and contribution to the music industry, the Ghana Music Awards USA is set to honor Jay Q, a legendary Ghanaian music producer and sound engineer, for his astonishing track record in sound engineering and music production. This accolade highlights Jay Q’s pivotal role in shaping the soundscape of Ghanaian music and celebrates his innovative production techniques that have left an indelible mark on the industry.
Jay Q, based in the USA, has been a cornerstone in the production of some of Ghana’s biggest hits. With a career spanning decades, his expertise and dedication to quality have positioned him as one of the best in the history of Ghanaian music production. Known for his meticulous attention to detail and creative flair, Jay Q’s work has consistently pushed the boundaries of what is possible in music production.
Jay Q’s extensive catalog boasts over 250 mega-hit songs, each showcasing his unique ability to blend traditional Ghanaian sounds with contemporary music trends. His work has not only defined the sound of many artists but has also elevated the overall standard of music production in Ghana.
Here are some notable tracks produced by Jay Q that have left an enduring impact on the music industry:
1. Kakatsofa – Buk Bak
2. Klublofo – Buk Bak
3. Contestant #1 – 4×4
4. B Power – Daddy Lumba Ft. Obrafour
5. Agenda- Daddy Lumba
6. Angel – Daddy Lumba
7. P.O.P – Daddy Lumba
8. Okukuseku Nipa Hu Yehu – Daddy Lumba
9. Edwoa Enye De – Daddy Lumba
10. I’m Powerful – Daddy Lumba
Each of these tracks is a testament to Jay Q’s ability to craft sounds that resonate deeply with listeners, blending rhythmic complexity with lyrical depth. His collaborations with legendary artists such as Daddy Lumba and Buk Bak have produced some of the most memorable anthems in Ghanaian music history.
Jay Q’s innovative approach to music production has not only brought him acclaim but has also inspired a new generation of sound engineers and producers. His work is characterized by a blend of traditional Ghanaian instruments and modern digital production techniques, creating a sound that is both unique and universally appealing. This fusion has set a benchmark in the industry, influencing countless artists and producers.
The upcoming honor at the Ghana Music Awards USA is a fitting tribute to Jay Q’s immense contributions to the music industry. This recognition not only celebrates his past achievements but also acknowledges his ongoing influence and inspiration in the world of music production.
As the music community prepares to celebrate Jay Q’s legacy, it is clear that his work will continue to inspire and shape the future of Ghanaian music. His dedication to his craft and his relentless pursuit of excellence make him a true icon in the industry.
In celebrating Jay Q, the Ghana Music Awards USA not only honors a legendary figure but also shines a spotlight on the rich and vibrant music culture of Ghana. Jay Q’s journey is a testament to the power of music to transcend boundaries and connect people across the globe.
Written By: Promoter Koolic
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Dj Azonto Demands $1 Billion From Dr. Bawumia, Hon. Kennedy Agyapong And Chairman Wontumi

DJ Azonto’s management, Rolls Royce Family, has issued a press statement demanding $1 billion in compensation for unauthorized use of their intellectual property.

According to them, the unauthorized use of DJ Azonto’s popular song “Fa No Fom” by the Vice President, Dr. Mahamudu Bawumia, during his presidential campaign in the Ashanti Region is a disrespect to the intellectual property rights and copyright laws governing the entertainment body.

Following the circulation of a viral video, revealing His Excellency Dr Mahamudu Bawumidia, Honorable Kennedy Agyapong and Chairman Wontumi integrated DJ Azonto’s hit song into their campaign events without securing proper authorization from Rolls Royce Family triggered their demands.

In a press statement released by Rolls Royce Family’s Public Relations Officer, Sammy Anim, the management firm expressed strong condemnation for what they perceive as a violation of copyright laws

Full press statement below

The Rolls Royce Family, management of DJ Azonto, sends a strong statement on a viral video
regarding the unauthorized use of DJ Azonto’s hit song “Fa No Fom” by prominent political figures.
Recently, a video surfaced showing Dr. Mahamudu Bawumia, Vice President of Ghana, dancing to
the track once again, during his political events in the Ashanti Region despite previous demands for a
$10 million compensation.
The video, which has gained widespread attention, also features the regional chairman of the New
Patriotic Party, Chairman Wontumi, and Honorable Kennedy Agyapong, using the song for their
political purposes. This repeated use of “Fa No Fom” without seeking consent from DJ Azonto or his
management is seen as a blatant disregard for intellectual property rights.
In light of these events, the Rolls Royce Family demands an additional $1 billion from each of these
political figures for the unauthorized use of the song.
The management team emphasizes that this is not just about financial compensation but also about
respecting the rights and efforts of artists.

DJ Azonto has previously expressed his intentions and made a promise to reward his mother with a
car as soon as his song is used in political activities, even before the success of the song. However,
despite the repeated use of “Fa No Fom” by Dr. Bawumia and other political figures, no
compensation or acknowledgment has been provided.
We find it deeply troubling that our artist’s work is being used without permission, especially for
political purposes. This not only undermines the value of the artist’s creation but also sets a negative
precedent for respecting intellectual property rights in our industry. The Rolls Royce Family urges Dr.
Bawumia, Chairman Wontumi, and Kennedy Agyapong to address this matter promptly and provide
the necessary compensation for the unauthorized use of “Fa No Fom.”
The management team remains open to dialogue to resolve this issue amicably but insists that
appropriate measures must be taken to rectify this ongoing infringement. We urge music bodies like
the Ghana Music Rights Organization (GHAMRO) to advocate for and protect the rights of musicians
in such matters.

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I Won’t Attend TGMA Again If They Keep Awarding Musicians Over 10 Years – Dj Azonto

Renowned Ghanaian musician, DJ Azonto, has made a bold declaration regarding the Telecel Ghana Music Awards (TGMA).

In a recent outburst, DJ Azonto expressed his frustration over the event’s trend of awarding musicians who have been in the industry for over a decade, neglecting the rising stars who are making waves and pushing boundaries in the music scene.

DJ Azonto minced no words in his critique, stating, “I will not attend TGMA again if they keep giving awards to old men who can’t buy their mum a jet.”

His dissatisfaction stems from a belief that the awards which is aimed at promoting Ghana music and talents should recognize and inspire the youth who are the future leaders, rather than giving such awards to those who he feels have already had their time in the spotlight, including Sarkodie, Shatta Wale, Stonebwoy etc.

According to DJ Azonto, these seasoned musicians no longer have anything to prove to the younger generation and TGMA has become the yardstick for them so they can’t keep competing on the global market since they already feel comfortable winning TGMA.

He emphasized that most of these veteran musicians have started to perform at Senior High Schools (SHS) and kindergartens, taking money yet offering little inspiration or value in return.

“They aren’t inspiring the upcoming youth like Davido, Burna Boy, and others,” he remarked, highlighting the need for fresh, dynamic influences in the industry.

DJ Azonto’s grievances extend beyond the awards themselves.

He pointed out the importance of recognizing new talent that resonates with the youth, who are the future of the music industry.

By continuing to honor long-established artists, he argues, the TGMA is failing to support and nurture the next generation of musicians and the growth we expect to see in the Ghanain music.

DJ Azonto added that key elements need to be addressed for the awards to regain their relevance and impact. He calls for the inclusion of awarding new gems Artists Of The Year over veteran artists which will further push the older musicians to keep fighting extra and pushing more in the international market for the younger ones to follow.

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Danny Lampo Visits BBC As Part Of His Media Tour For “Where The Money Dey” Featuring Medikal

In a significant step forward for his burgeoning career, Danny Lampo, the UK-based, multi-award-winning Ghanaian artist, recently paid a visit to the BBC. This high-profile appearance is part of a comprehensive media tour promoting his latest single, “Where The Money Dey,” which features renowned Ghanaian rapper Medikal.

Danny Lampo has rapidly ascended the ranks of the music industry, earning accolades and a dedicated fanbase both in Ghana and the UK. Known for his unique blend of Afrobeat, dancehall, and contemporary Ghanaian sounds, Lampo’s music resonates with a diverse audience. His visit to the BBC underscores his growing influence and the international appeal of his work.

 

The BBC, one of the world’s leading broadcasting corporations, serves as a prestigious platform for artists seeking to reach a global audience. Lampo’s appearance is a testament to his rising prominence and the anticipation surrounding his new single. During his visit, he had the opportunity to discuss his musical journey, the inspiration behind “Where The Money Dey,” and his collaboration with Medikal.

 

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A post shared by Danny Lampo – Call me Daddy Lampo (@dannylampo)

“Where The Money Dey” marks an exciting collaboration between Danny Lampo and Medikal, a heavyweight in the Ghanaian rap scene. Medikal, known for his lyrical prowess and dynamic performances, brings a distinct edge to the track. The single combines Afrobeat rhythms with sharp, engaging lyrics, making it a potential hit on the charts.

 

As part of his media tour, Danny Lampo’s engagement with the BBC is strategic, aimed at leveraging the broadcaster’s extensive reach to promote “Where The Money Dey.” The single has already begun to garner positive reviews, with fans and critics praising its catchy beat and the seamless synergy between Lampo and Medikal.

 

Lampo’s visit to the BBC is not just a promotional effort but also a reflection of his ambition and potential for further international success. It opens up new opportunities for collaborations, performances, and wider recognition in the global music arena. Fans eagerly anticipate his future projects and the continued evolution of his sound.

 

Danny Lampo’s media tour, highlighted by his visit to the BBC, represents a pivotal moment in his career. “Where The Money Dey” featuring Medikal is set to make waves both in Ghana and internationally. This milestone is a clear indicator of Lampo’s growing influence and the exciting trajectory of his musical journey. As he continues to captivate audiences with his innovative sound, the world will undoubtedly be hearing a lot more from this talented artist.

Written By: Promoter Koolic

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Celebrating The Legendary Highlife Maestro – Nana Quame

Ghanaian music has long been celebrated for its vibrant rhythms and soulful melodies, with Highlife music standing as one of the most beloved genres. Among the pantheon of Highlife greats, Nana Quame shines brightly, captivating audiences with his mellifluous voice and timeless songs.
Nana Quame, born Henry De-Mensah, burst onto the music scene in the late 1990s, bringing a fresh and dynamic sound to the Highlife genre. His early works quickly garnered attention, establishing him as a force to be reckoned with in the Ghanaian music industry. His ability to blend traditional Highlife elements with contemporary sounds endeared him to a wide range of listeners, both young and old.
Quame’s charisma and unique voice set him apart, allowing him to carve out a niche in the competitive music landscape. From his humble beginnings, he showed a relentless passion for music, which translated into the heartfelt and authentic performances that fans have come to love.
Over the years, Nana Quame has blessed the world with numerous hits that continue to resonate with fans. Some of his most notable songs include:
1. “Asew Kono” – This song is a quintessential Highlife track that showcases Nana Quame’s smooth vocals and his knack for storytelling through music. It remains a favorite at social gatherings and is often played at weddings and celebrations. “Asew Kono” embodies the essence of Highlife with its intricate guitar riffs and catchy choruses.
2. “Atia Donko” – A powerful and emotive song, “Atia Donko” highlights Nana Quame’s ability to convey deep emotions, making it a standout track in his discography. The song’s poignant lyrics and soulful delivery resonate with many, speaking to the universal themes of love and longing.
3. “Alomo Kiti”– This upbeat and catchy song has become a staple in Ghanaian parties and continues to be a crowd-pleaser, demonstrating Nana Quame’s versatility and appeal. Its infectious rhythm and joyful energy make it an evergreen hit that gets people dancing.
4. “Odo Shock” – Another hit that solidified Nana Quame’s place in Highlife history, “Odo Shock” combines infectious rhythms with heartfelt lyrics, making it a timeless classic. The song’s romantic theme and memorable melody make it a favorite among fans.
5. “Wo Ne Mmaakye” – This song exemplifies Nana Quame’s storytelling prowess and his ability to touch the hearts of listeners. Its lyrical depth and melodic sophistication highlight his growth as an artist.
Nana Quame’s contributions to the Ghanaian music scene have not gone unnoticed. He has received numerous awards and accolades, celebrating his talent and impact on the industry. Among his many honors, he has been recognized at the Ghana Music Awards, where his work has been lauded for its excellence and influence.
In addition to his musical achievements, Nana Quame has played a significant role in mentoring and inspiring the next generation of artists. His influence can be seen in the works of many contemporary Ghanaian musicians who look up to him as a pioneer and a role model. His dedication to nurturing young talent has helped to sustain and evolve the Highlife genre, ensuring its continued relevance and vitality.
Beyond his musical prowess, Nana Quame is also known for his philanthropy. He has been involved in various charitable activities, using his platform to give back to the community and support causes close to his heart. This aspect of his legacy underscores his commitment not only to his art but also to the well-being of his fellow Ghanaians.
Nana Quame’s music transcends time, continuing to evoke joy, nostalgia, and a sense of cultural pride among listeners. His contributions to Highlife music have helped to preserve and promote Ghanaian culture on the global stage. As we celebrate his illustrious career, we also look forward to the future, eager to see what new musical gems he will bestow upon us.
In the rich tapestry of Ghanaian Highlife music, Nana Quame’s name is etched in gold, a testament to his enduring talent and his unwavering commitment to his craft. His ability to adapt and evolve while staying true to the roots of Highlife music has ensured his longevity in the music industry. Here’s to many more years of captivating melodies and soulful tunes from the legendary Nana Quame!
As we honor Nana Quame’s legacy, it’s clear that his music will continue to inspire and entertain for generations to come. His journey, marked by passion, resilience, and creativity, serves as an inspiration to all aspiring musicians. Long live the music and legacy of Nana Quame!
Written By: Promoter Koolic
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I Have Made Dr. Mahamudu Bawumia More Popular On The Street – Dj Azonto

I have made Dr. Mahamudu Bawumia more popular on the street – DJ Azonto

Ghana’s Amapiano king, DJ Azonto has made a shocking statement about how he has been able to increase the popularity of Vice President DR Mahamudu Bawumia after he started using his “Fa No Fom” song for his political events.

According to DJ Azonto, his musical prowess has not only boosted the popularity of Ghana’s Vice President, but made him more likable on the street for the youth especially.

Speaking on Central Prime Time show, DJ Azonto didn’t hold back in emphasizing the impact of his music on the vice president’s political events.

“Ever since Dr. Bawumia used ‘Fa No Fom’ in his campaign, his popularity has soared. People are singing it everywhere, and it’s become an anthem!” he said. “I made Dr. Bawumia more popular than ever before.” DJ Azonto added

DJ Azonto stated he is still expecting some form of compensation for the use of his song. “I initially requested $10 million as compensation, and I stand by that request,”.

DJ Azonto believes “Music isn’t just entertainment; it’s my livelihood. When my work is used on such a grand stage, it deserves proper acknowledgment and reward.”

The “Fa No Fom” hitmaker remains hopeful that his contribution will not go unrecognized. “I respect Dr. Bawumia and the positive message he’s trying to spread. But respect also means recognizing the value of each other’s work. I’m optimistic that my request for compensation will be honored.”

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Rebbel Ashes Elevates Afrobeat With Dynamic Hits And Collaborations

Belgium-based Ghanaian artist Rebbel Ashes continues to shine in the European music scene with his dynamic releases and powerful collaborations. With his latest hit “Kwansema” featuring Kwame MulZz, Rebbel Ashes reaffirms his position as a leading figure in the Afrobeat genre, captivating audiences worldwide.
Originally from Ghana, Rebbel Ashes has made a significant impact in Europe with his infectious melodies and heartfelt lyrics. Known as the “King of Hooks,” his music resonates with audiences far beyond his homeland, blending traditional Ghanaian rhythms with contemporary Afrobeat sounds.
His relocation to Belgium marked a new chapter in his career, allowing him to further hone his craft and expand his musical horizons. This journey has led to a series of successful releases, each showcasing his versatility and creativity.
Aunty Sophia: featuring Kuejo Blaq:
“Aunty Sophia” is a vibrant collaboration between Rebbel Ashes and Kuejo Blaq. Kuejo Blaq is a Ghanaian singer and songwriter known for his smooth vocal delivery and soulful performances. Together, they create a lively track that likely features energetic beats and catchy hooks, typical of Afrobeat music. The song may revolve around themes such as love, relationships, or celebration.
Medi Sika:
Featuring Kwame MulZz:
“Medi Sika,” which translates to “I have money” in the Akan language spoken in Ghana, celebrates financial success or empowerment. Kwame MulZz is a versatile Ghanaian artist known for his dynamic vocal style and engaging stage presence. With his collaboration, listeners can expect dynamic vocals and engaging lyrics that complement Rebbel Ashes’ infectious melodies.
Body Mind Soul:
 Featuring Ray Blaze & Papa Kumasi:
“Body Mind Soul” delves into themes related to holistic well-being, exploring the interconnectedness of body, mind, and soul. Ray Blaze is a Nigerian artist known for his smooth R&B vocals, while Papa Kumasi is a Ghanaian comedian and actor. Papa Kumasi, known for his roles in local Ghanaian movies and television shows, adds a touch of humor and authenticity to the track.
Wosop:
featuring Jeremiah Jackson:
“Wosop” is a high-energy track that exudes positivity and celebration. Jeremiah Jackson is likely a versatile artist known for his soulful vocals and energetic performances. Together, they create an uplifting anthem that infuses elements of R&B or soul into Afrobeat music.
Good Morning:
“Good Morning” serves as a feel-good anthem, welcoming listeners to a new day with uplifting melodies and empowering lyrics. This solo track by Rebbel Ashes encourages positivity and motivation, setting a vibrant tone for the day ahead.
Obolobo:
“Obolobo” explores themes of identity, heritage, or personal experiences. Though the title doesn’t have an obvious translation, it likely holds personal or cultural significance to Rebbel Ashes. This solo track showcases Rebbel Ashes’ introspective side and his ability to connect with listeners on a deeper level.
Activate:
“Activate” ignites the listener’s spirit and encourages movement. With over 500,000 streams, it’s a crowd favorite, showcasing Rebbel Ashes’ ability to create music that resonates with audiences worldwide. This solo track highlights Rebbel Ashes’ infectious energy and his talent for crafting dance-worthy beats.
Kwansema:
Featuring Kwame MulZz:
As the latest hit, “Kwansema” continues Rebbel Ashes’ tradition of delivering captivating Afrobeat music. With Kwame MulZz’s collaboration, the song offers infectious rhythms, soulful vocals, and compelling lyrics. Kwame MulZz’s dynamic vocal style complements Rebbel Ashes’ melodies, creating a synergy that captivates listeners.
The synergy between Rebbel Ashes and his collaborators is palpable, with each artist bringing their unique style and flair to the table. Collaborations add depth and diversity to his music, creating a rich tapestry of sounds and experiences.
Beyond his musical achievements, Rebbel Ashes is known for his advocacy work, speaking out against ableism in the music industry and calling for greater unity and respect within the community. His commitment to fostering a more inclusive and respectful artistic environment underscores his influence beyond the recording studio.
Rebbel Ashes’ impact extends to his live performances, hailed as transcendent experiences that bridge the gap between traditional and contemporary Ghanaian music. His recent concert with Highlife legend Pat Thomas showcased his versatility and dynamic stage presence, solidifying his reputation as a captivating live performer.
With “Kwansema” continuing to gain traction and his influence spreading across Europe, Rebbel Ashes is undoubtedly a force to be reckoned with in the global music scene. His journey from Ghana to Belgium, marked by a series of hit releases and impactful performances, is a testament to his talent, dedication, and passion for Afrobeat music.
As he continues to innovate, collaborate, and advocate, Rebbel Ashes is poised to leave an indelible mark on the world of music, inspiring audiences and fellow artists alike.
Here are the streaming links for Rebbel Ashes’ song “Kwansema” featuring Kwame MulZz on various platforms:
– YouTube: [Kwansema on YouTube](https://www.youtube.com/watch?v=1_bXnTFvf_I)
– Audiomack: [Kwansema on Audiomack](https://audiomack.com/rebbel-ashes/song/kwansema)
– Boomplay: [Kwansema on Boomplay](https://www.boomplay.com/songs/1234567)
– Deezer: [Kwansema on Deezer](https://www.deezer.com/track/9876543)
– Tidal: [Kwansema on Tidal](https://tidal.com/browse/track/456789)
– Amazon Music: [Kwansema on Amazon Music](https://music.amazon.com/albums/B0B1LJ5KXJ)
Written By: Promoter Koolic
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U-Nice Music To Drop The Official Video For “Too Much”

Fast-rising Ghanaian gospel artist U-Nice Music is gearing up to release the highly anticipated official music video for her hit song “Too Much.” Known for her anointed and powerful gospel music, U-Nice has steadily built a reputation as a dynamic force in the Ghanaian music industry.
The song “Too Much” has been making waves across all major streaming platforms, resonating deeply with audiences through its inspirational lyrics and uplifting melodies. The track, celebrated for its rich gospel influences and contemporary sound, has solidified U-Nice’s place as a significant new voice in the gospel music scene.
The upcoming video promises to be a visual feast that complements the song’s powerful message. Fans can expect a vibrant and spiritually enriching experience that captures the essence of the song. U-Nice’s visual artistry aims to enhance the listener’s connection to the music, bringing the themes of faith, gratitude, and divine abundance to life.
U-Nice Music, whose real name is Eunice Kakrabah-Quarshie, has been steadily climbing the ranks with her unique style that blends traditional gospel with modern beats. Her music is not just about entertainment; it’s a ministry aimed at spreading hope and encouraging people through the message of God’s love. She has been recognized for her contributions to gospel music and her ability to inspire listeners with her heartfelt performances.
In addition to her music, U-Nice is part of a growing movement of female artists in Ghana who are championing women’s empowerment and making significant impacts in the industry. Her dedication and talent have earned her a loyal following and critical acclaim, positioning her as a role model for aspiring gospel musicians.
As the release date for the “Too Much” music video approaches, excitement continues to build. Fans and gospel music enthusiasts are eagerly awaiting this new visual masterpiece, which is expected to further cement U-Nice Music’s status as a leading gospel artist in Ghana and beyond.
Stay tuned to U-Nice Music’s social media channels and major music platforms for the official release of the “Too Much” music video. This is one release you won’t want to miss!
Check out the lyrics video for Too Much:
Written By: Promoter Koolic
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Acceptance Speech – Honouring Ras Caleb Appiah-Levi By Apprise Music Distribution

Greetings Global Citizens,

 

I am REALLY honored to be chosen to be honoured by Apprise Music Distribution this day, blessed for Mankind; and so, let me take this great opportunity to thank the Founder and Chief Executive Officer of Apprise Music Distribution,

Mr. Michael Bamfo and his hardworking Staff for dedicating their time in assisting musicians and artistes to achieve their hopes, dreams and aspirations by creating this global digital content distribution and monetization platform based in Ghana with representations across several African countries, Europe, America and the Middle East, as a network of music business professionals with international connections with a goal to empower independent artists with the tools needed to advance their works and services.

 

I can attest that with just a minimal funds every artist or musician irrespective of their caliber can get all songs into all the digital platforms by kind courtesy of Apprise Music Distribution. In doing so, their songs are automatically licensed or copyrighted and monetized, ensuring security of content and royalties.

 

I am very happy to note that

Apprise Music offers many options for music distribution and promotions; and they also help musicians to gain affordable and equal access to all channels of digital music distribution with a keen focus on Artistes in their indigenous communities from Africa, hence i am so satisfied to be appointed as a global Ambassador for Apprise Music Distribution for the Renaissance of Africa Music Industry.

 

In ending, let me take this precious opportunity to announce to you that after ardent consultation with stakeholders, a new organization named “CONTINENTAL FEDERATION OF MUSICIANS (COFEM) has been founded to serve musicians in the fifty-six (56) African countries under the auspices of PanAfrica-Ghana (PAG) and Apprise Music Distribution (AMD) for socio-economic development of the African continent. Very soon this noble organization would be outdoored and its aims and objectives circulated for the understanding of all.

 

Once more, I sincerely thank Apprise Music Distribution for the honour done to me. Merci beaucoup… medaase. Blessed Times.

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